A wannabe film director becomes embroiled in a battle against the laws of time and space when his attempts to recreate the iconic black and white, photograph-only, time travel film, La Jetée, spiral out of control.

A mockumentary about a small-town man who is abducted by aliens, meets a group of fellow abductees, leads a daring escape back to Earth, and in the process finds purpose, community, and love.

Visual ode to contemplative journey through the stages of life and the essence of human existence, set in a timeless backdrop of an Italian village.

A group of very different people set sail on an old warship. The passengers include a senator with his son, a newly-wed couple, a mysterious old man, a group of sex workers and a gang of violent criminals. At first the aggressive behaviour of the thugs and their leader is directed at the first class passengers, but then more and more indiscriminately against the rest of those on board. Rape is followed by murder and it’s not long before the first of numerous and increasingly brutal mutinies takes place.

Akari Yoshiyama is graduating high school soon and is expected to lead new life after she passes the university entrance exam, while her mother is working as a pharmacologist. However, her mother has a car accident and the situation is totally changed. She decides to go to 1972 to fullfil her mother's wish.

Anywhen In a Time Colored Space is a continuation of Philippe Parreno's Anywhen, filmed by renowned Iranian-French cinematographer Darius Khondji and featuring the voice of Nina Conti, actor, comedienne and ventriloquist. Performing the artist’s own writing integrated with fragments of James Joyce, the amalgamation of words read by Conti makes explicit Parreno’s interest in artificial, digital, and organic matter, and particularly how these forms of life communicate. The film is comprised of long sequences of a live cuttlefish (Sepia Oficinalis — a Mediterranean species of cephalopod) that can change the surface of its body—responding to outside forces such as light, sound and vibration, seemingly projecting the thoughts contained in the monologue. Much of the film focuses on the cuttlefish, which Parreno first kept in a tank in his studio.

Join the sexy crew of the airship Emmanuel for a journey beyond space and time. This time, Emmanuelle visits erotic milf Willa Wanker and her adult toy factory. There, beautiful women have become guinea pigs for new products, and intoxicated by the dazzling pleasure. Will Emmanuelle become addicted and fall into Willa's trap of lust?

In 2050 engineer Derrida Yvain is famous for his contribution to "Autonomous Machine DZ," at his father's company, Rebuild. But when he and his colleague Nathan discover a dangerous flaw in their creation, their warnings go ignored. The next day after Nathan's daughter Mage's birthday party, the group barely escapes an attack by unknown forces, leading to Derrida's unwitting captivity in cryogenic stasis. Ten years later, he emerges in a world at war with the mechanical lifeforms he helped create. Now, he fights to survive his nightmare future to make good his promise to "Take care of Mage."

With next year's university entrance exams looming, high school senior Yoshiyama Mihane is beginning to feel the blues. She recently joined the school's photography club. As she walks by the science lab one day after school, she smells the aroma of lavender. From that moment on, she acquires the ability to leap freely through time and the days ahead are marked with bizarre occurrences...

When a duffel bag explodes into existence over the Nevada desert, Dyson Wheeler - set to be hanged - seizes his chance at escape, killing his captor with the shovel he was just using to dig his own grave. Thus begins Wheeler's mission to avenge the death of his beloved wife Rachel, and in the process, create our particular pocket of space-time, The Future That Matters To Us. The Lord of All Future Space and Time is a classic western tale of revenge interrupted by sci-fi hijinks. Purposefully and joyfully heavy on narration - in the style of early Coen Brothers or somewhere between Goodfellas and Amelie - it's a tall tale in a short film, a fast-paced comedy asking the big questions about time, grief, love and the meaning of life itself.